Shakti won the Grammy for “This Moment”, the band’s first studio album in over 45 years.

Rajagopalan, Shakti’s founder and guitarist John McLaughlin, tabla maestro Zakir Hussain, singer Shankar Mahadevan, and percussionist Selvaganesh Vinayakram won the award at a ceremony in the US earlier this month.

“It was like euphoria because time stopped (for us). We had a contingent of 25 people with us so the celebration started at that time. It was like a beautiful moment unforgettable, etched in memory,” Rajagopalan told PTI in an interview.

The violinist, 59, who along with his brother Kumaresh, is a prominent name in the Carnatic music fraternity, is settled in Seattle (US) but has a home in Chennai too.

He credits McLaughlin and Hussain for being the driving force behind the studio album that was created during the pandemic with members sitting in “different corners of the world”.

“We created a drop box so every composition, everything was put on that drop box. After the composition was run, we played layers and layers and layers, so everything was mixed. It was so beautiful that the whole thing came (together) because in the beginning, there was only one line and after that, everything was added one after the other…

“When you hear the music, it’s so beautiful. It all sounds like we were in one studio, seating and playing against each other. It sounds like that now but it was actually played in different parts, from different parts of the globe. So, that’s the power of ‘Shakti’ I think,” he said.

Rajagopalan became a member of ‘Shakti’ in 2019, stepping in as a violinist after Lakshminarayana L Shankar left the group, which was originally founded in 1976.

The musician said Shakti as a band is very special for each member.

“When we get together, the vibration, the energy that Shakti brings in, you will be sucked into that kind of feel. We long for that and when there is a gap, we long for that feel. To be rubbing shoulders with such great people is also one of the incentives of playing with ‘Shakti’.”

Rajagopalan said the band, whose founding members were McLaughlin, Hussain, Lakshminarayan Shankar, and Vikku Vinayakram, “defined fusion”.

“It’s a very unique, special band. That’s how it was formed and after that for about ten years or so and then they disbanded and then after that it came in another avatar and then it got disbanded again, and then another one happened.

“50 years have passed and ‘Shakti’ has also evolved with time and music is so different from what it began and what is it now. It’s so different, so beautiful and it’s evolved with the times, change in members, and now it’s come a full circle.”

Rajagopalan has collaborated with musicians like A R Rahman, Ilayaraja, and M Keeravani in the past and is also the founder of the Eswara School of Music in Portland (US).

An artist, he said he is always open to new ideas in music.

“Music is more like an addiction in a way… From the beginning, I have been fortunate to be playing with the top most people in the world… The stop comes only when you think that you have done it all but I think there is more to come,” he said.

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Giving this information, ED said that on Tuesday afternoon, Abdu arrived at the ED office in Mumbai to record his statement.

More details regarding the matter are awaited.

Abdu is a popular musician from Tajikistan. He gained a lot of popularity in India with his stint in Bigg Boss 15. However, Abdu voluntarily left the show due to prior professional obligations.

Before Bigg Boss, he became a social media sensation with his ‘Burgiir’ meme. He also owns a restaurant named Burgiir in Mumbai.

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The Supreme Court order was issued in an ongoing legal dispute with the Indian Medical Association, which has accused Patanjali of allegedly disparaging other forms of conventional medicines.

Yoga guru Baba Ramdev, who co-founded Patanjali, has previously denied the criticism and accused some doctors of spreading propaganda against traditional medicines, which are hugely popular in India.

Patanjali did not respond to a Reuters request for comment.

The court said Patanjali violated its assurance to judges last year in the ongoing case that it would not publish advertisements that make “casual statements claiming medicinal efficacy”.

The order came after a lawyer for the Indian Medical Association told the court that Ramdev’s firm had continued to publish newspaper ads claiming to offer a “permanent solution” for conditions, such as blood pressure, asthma and diabetes.

The judges also asked Patanjali to explain why it should not initiate contempt of court proceedings against the company.

Patanjali was co-founded by yoga teacher Ramdev in 2006. He has a huge fan following in India and offers yoga cures for many illnesses through his TV shows.

Patanjali sells personal care products and ayurvedic medicines, but has often faced the ire of doctors and activists, who accuse the firm of making incorrect assertions about medicinal efficacy. (Reuters)

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The court’s decision suspends all licenses, preventing the capture of young Asian elephants for purposes such as begging, circuses, or street shows.

With only around 200 Asian elephants remaining in Bangladesh, half of them living in captivity, the country has witnessed a significant decline in their numbers due to poaching and habitat loss.

Previously, the forestry department issued licenses allowing logging groups to capture and use young elephants for hauling logs, while others were exploited in circus performances, violating the terms of the licenses.

As logging and agriculture expand into elephant habitats in the northern and southeastern hills of the country, young elephants are often captured. The forestry department has historically granted licenses to logging groups, allowing them to use elephants for hauling tree trunks.

Additionally, circus groups have obtained licenses to adopt these captured animals.

Rakibul Haque Emil, head of the People for Animal Welfare (PAW) Foundation in Bangladesh, described the court order as a “landmark” decision. “In this name of training elephants, private licensees including circus parties brutally separate elephant calves from their mother, shackle them for months and then torture them to teach tricks,” he said.

Actor Jaya Ahsan, who initiated the legal case alongside PAW, expressed optimism that the court’s decision would put an end to the harsh training inflicted on these animals. Last year, the issue gained attention when a young elephant, used for begging on the streets, was killed by a train.

Elephants are often painted in bright colors and forced to perform tricks by their captors. In 2019, police rescued two emaciated elephants used for roadside begging. Animal rights activists said the suspension would end often brutal training — known as “hadani”.

The court order is seen as a crucial step in protecting the remaining Asian elephants in Bangladesh and preventing further exploitation and harm to these endangered animals. (With inputs from BBC)

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Confirming the same, the actress said, “I am working on a reality TV show, which is inspired by the ‘Kama Sutra,’ for which I would be just behind the scenes. I would just be producing obviously, not on the show,” Chandran told Variety.

The actress continued, “The Kama Sutra is actually an ancient Hindu text, but in the West, it has this not-so-pleasant, or positive, reputation and connotation. And it’s about taking ownership back of things that belong to us and our culture, and actually showing the beauty and the importance of these texts and what modern society can learn from it.”

The show is in the early stages of development.

Meanwhile, Chandran is also producing a TV adaptation of Shankari Chandran’s bestselling novel Song of the Sun God, following three generations of a close-knit Sri Lankan family, whose story is inextricably entangled in their country’s three-decade-long civil war.

Talking about the same, she said, “We are still in development. It’s really, really exciting. I have to say, I think it’s the best script I’ve ever read. It’s sensational. I can’t wait for us to get going on making it and for the world to see it. It’s something that is so important. And I feel the responsibility to make it 100% right. And the team that I’m working with on this are just so brilliant and so committed, I feel really lucky.”

Chandran is also serving as a producer on Arzu, a drama series based on the sexy novel of the same name by Mumbai-based Riva Razdan.

“Arzu is a show about a Mumbai socialite who travels to New York, and it follows her life in New York. And I think that is just such a fun project. And it’s really about a culture clash, but in a way that isn’t stereotypical. The show will be like a really beautiful representation of what it’s like to be an Indian born in India and [who] grew up in India, in America trying to acclimatize,” she said.

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The singer-songwriter from Coventry has sustained that momentum with the release of his latest song, Unanswered Questions, which is a slower, emotionfilled number inspired by a break-up. With more music and live performances on the way, Kanda has firmly established himself as an artist to keep an eye on.

Eastern Eye caught up with the talented young artist to discuss music, his new single and future hopes.

What was it that first connected you to music?

My passion for music stems from the rich musical heritage of my mother and the determined, ambitious spirit of my father. Growing up, my mother’s involvement in various aspects of the entertainment industry, from Indian traditional dance to music, deeply influenced me. I believe her passion for music has been passed down to me and now I am more determined than ever to make my mark on the global stage. The unwavering support of those around me also fuels my drive to pursue music relentlessly.

What has been your most memorable musical moment so far?

One moment that I will never forget is collaborating with the charitable organisation CALM to raise awareness about mental health. I wrote an article on their website about men’s mental health issues being overlooked and why I had written (the song) IHGYN in an attempt to raise awareness. The campaign was very successful and I am proud to have positively contributed to a great cause.

Tell us about your latest track and what inspired it.

Unanswered Questions is entirely based on the lack of clarity following a sudden breakup. I embark on a journey to find the answers regarding how a seemingly perfect relationship crumbled into nothing. A lot of emotion and thought went into the track. I feel that people who have suffered any form of heartbreak can relate to the feeling of suddenly losing someone really special.

How does this compare to other songs you have done?

I think I’m starting to use the grit in my voice a lot more in the past few tracks I have released; it works well with my ‘groovy soul’ genre. Unanswered Questions presents a departure from my previous upbeat tempo, embracing a deeper, slower rhythm that adds a distinct tone to my repertoire.

Tell us more about who you are hoping connects with this song.

This song speaks to anyone who has experienced the emotions of confusion and being lost in the great world that we live in – those who are constantly in self-doubt and searching for clarity in their journey through life.

How would you describe your music and unique sound?

I would describe my music as versatile, with the ability to transition between different genres from one record to the next. As I continue to evolve as a singer, I’ve started to incorporate the unique grit in my voice, leaning towards creating a groovy soul sound.

Tell us, what inspires you as a singer and songwriter?

I often draw inspiration from my personal experiences as well as pressing political issues in the world. Historically, I have focused on prevailing issues such as men’s mental health and racism.

My goal is to contribute to societal change by raising awareness and promoting positivity through my music.

What is the master plan going forward?

Many gigs, many songs, many performances and plenty of good vibes. I will be doing everything in my power to make sure that the name Kanda is known around the country and maybe even the world.

Which artist would you love to collaborate with?

I would love to engage with both, the mainstream and Asian markets.

From the mainstream scene, I am a massive fan of YG Marley’s sound and believe that we would make such a unique vibe together.

On the Asian front, I would love to work with AP Dhillon, given his innovative sound. An English-Punjabi collaboration between us would be elite.

What music dominates your own personal playlist?

(Laughs) My playlist is crazy. I have so many different vibes in there, from Jay-Z to Metro Boomin, Shakira and Frank Sinatra. I love different kinds of music. So, when my playlist is on shuffle, I never get bored.

Who is your own music hero?

My musical hero has to be Ed Sheeran. His journey from busking while being homeless to becoming one of the most significant singers in the history of music is truly inspirational. He demonstrates that, with dedication to your craft, anything is possible.

How much does performing live mean to you?

Performing live has to be the best thing a singer can do. Dancing on stage, interacting with the crowd and hearing them sing your own lines back to you – it’s one of the reasons I can’t see myself ever quitting this industry.

Finally, why do you love music?

Without music, there is no Kanda. Music has shaped the way I think and moulded my personality as I have matured.

It’s carved into my skin, it defines who I am as a person and it’s exactly what I want my legacy to be associated with.

The post Kanda: Musical power of meaningful songs appeared first on Bangladesh Weekly.

The gifted actress has followed up a winning performance in Imlie with her current show, Kavya – Ek Jazbaa, Ek Junoon. The television star has also become a powerful symbol of girl power for a new generation and is looking forward to climbing even greater heights in the future.

Eastern Eye caught up with the young sensation to discuss her amazing journey so far, her latest drama, fan base and the importance of balance.

How do you reflect on your actionpacked acting adventure so far?

Reflecting on my professionl life so far, it has been a trip of self-discovery and growth. From the very beginning, every role has been a unique challenge and each project has contributed to shaping me as an actress.

It has been a mix of highs and lows, filled with valuable lessons and unforgettable experiences. Imlie was a high point, then Bigg Boss and now Kavya… – all of them have been very different from each other.

You have had huge successes in the past few years, but have you had a chance to enjoy it yet?

Success in the entertainment industry often comes with a demanding schedule and constant challenges. However, I believe in finding joy in the little victories and appreciating the journey as much as the destination. The love and support from my fans are undoubtedly one of the most rewarding aspects of my success.

When I bought my dream home in the area I wanted, that felt like an achievement. I try to balance my personal and professional lives. I sure would like to go on a holiday.

How do you feel about playing the title roles in Imlie and Kavya… at such a young age?

Imlie marked the beginning of this incredible journey, where I portrayed the titular character grappling with complex social issues. The positive response from the audience was not only heartening, but has also motivated me to delve even deeper into my craft.

What about Kavya?

Kavya’s character brought a new set of emotions, complexities and relationships to explore. It was an opportunity to step into the shoes of a very different type of character and showcase a range of acting skills. As an actress, the responsibility of shouldering the lead in two popular shows has been both rewarding and challenging.

What did you most like about Kavya… when it was offered to you?

When Kavya… was offered to me, there were several aspects of the show that immediately captured my interest and excited me.

What stood out the most was the unique storyline and depth of the role. Kavya, as a character, is not a stereotype, but a multi-dimensional individual with her own dreams, struggles and aspirations. I think there is one aspect where I can relate to Kavya the most – her passion for her work and achieving her dreams and targets.

Tell us about that.

Because, in my entire life, I never had any other option. I always felt that if I am determined to act, then I will just do that and nothing else. Because there is no other option for me. If you have a backup plan, you are not passionate. That’s what I feel and Kavya is also the same. She has one target, and will do anything to achieve that.

If you are passionate about something, you are just going to get it. I didn’t always want to be an actor, but once I decided, since that moment I have been and still am an actor.

What has the experience of working on Kavya… been like?

Working on Kavya… has been a tremendous learning experience. The cast and crew have been incredibly supportive and the overall journey has been filled with both professional and personal growth. And when I am satisfied with the work I have done, I am able to sleep peacefully at night. Playing an Indian Administrative Service officer has been quite interesting.

Have you learned anything new while playing this character?

Absolutely. I decided to play the character as a calm person. Because IAS officers are usually very composed. They are very intelligent – you don’t see them freaking out or panicking at anytime. They don’t do that, because they always know how to handle a situation gracefully. This was something I was worried about, because I am not a very calm person…

You seem calm…

(Laughs) I can freak out and panic sometimes, so it was very difficult for me, but maybe I am also learning from Kavya as a person. Kavya is a very pure-hearted girl. I think I should adapt everything from her. Her intelligence, maybe.

You have done so much at a young age, but do you feel like you have missed out on anything growing up?

While my career has been a significant part of my life, I believe in finding a balance. I’ve been fortunate to have a supportive environment that allows me to pursue my passion while also enjoying a well-rounded life. I miss eating pani puri on the streets, but I still manage to do it sometimes.

How much does your incredible fan base mean to you?

My fans mean the world to me. Their love and encouragement are the driving force behind my work. Their unwavering support motivates me to give my best in every project.

What is the plan going forward and is cinema a part of that?

I’m excited about the future and exploring different opportunities. While my focus is on television currently, I’m open to exploring cinema if the right project comes along. I had done films such as Article 15 as a teenager. I am surely open to doing films.

The post Sumbul Touqeer: Finding that beautiful balance appeared first on Bangladesh Weekly.

The event, hosted by Trisha Sakhlecha, Director of the Tagore Centre, coincided with Bajpayee’s presence in Berlin for the premiere of his latest film, directed by Raam Reddy, in the competitive Encounters section at the 74th edition of the festival.

In a conversation, Bajpayee, 54, traced his journey from dreaming about becoming an actor in a small village in Bihar through his persistent struggle of over 15 years to his rise as a celebrated actor in Indian cinema.

The discussion, also attended by Parvathaneni Harish, Ambassador of India to Germany, highlighted Bajpayee’s upcoming projects and his venture into production.

“This journey of 30 years has been nothing short of extraordinary. It’s a reflection of the love and support I’ve received from my audience and the film fraternity. Being recognized in Berlin, alongside the premiere of ‘The Fable’, fills me with gratitude. I want to extend my heartfelt thanks to Ms. Trisha Sakhlecha, the Director of the Tagore Centre, Berlin, and H.E. Mr. Parvathaneni Harish, Ambassador of India to Germany, for this honor,” Bajpayee said in a statement.

Sakhlecha said the Tagore Centre & Embassy of India, Berlin is committed to providing a platform for Indian cinema and storytelling specifically, and Indian culture as a whole. Tagore Centre, which was inaugurated in 1994 to strengthen cultural ties between India and Germany, completed 20 years.

Ambassador of India to Germany, Parvathaneni Harish, said, “I am extremely happy that the 74th edition of the Berlinale has seven Indian films and three Berlinale Talents, and that the NFDC has brought in a large delegation from the Indian movie industry to participate in the European Film Market.

“Indian movies represent astonishing talent, immense dynamics, and innovation. India is also an attractive investment location with various incentives for the promotion of foreign films and animation, post-production, and visual effects services. I am confident that the Indian delegation at Berlinale with well-known actors such as Manoj Bajpayee and Allu Arjun and directors like Raam Reddy will make a strong impact.”

Reddy, who also participated in the Q and A with Bajpayee, said, “It was such an honour to share the stage and sit next to Manoj ji – who I have grown to share a very special bond with – while we chatted about the nearly magical anecdotes that went into the building of our film.”

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Wadkar was felicitated with the award at an event in Mumbai on Thursday. Maharashtra Chief Minister Eknath Shinde and Deputy Chief Minister Devendra Fadnavis presented him with special mementos.

In 2021, he also became a recipient of Padma Shri, The fourth-highest civilian award in the Republic of India.

“It feels really special to receive the award under the tenures of Modi ji and President Ram Nath Kovind ji. It’s a big thing for me. I am extremely happy. I have been waiting for a long time to get this award and now I have finally received it,” Wadkar earlier told ANI.

Wadkar is known for his playback singing in Hindi and Marathi. He has been enthralling audiences for over 45 years now. He has also carved a niche for himself in devotional music. ‘Sapne Mein Milti Hai’, ‘Pehli Baar Mohabbat Ki Hai’, and ‘Lagi Aaj Saawan Ki’ are some of his popular tracks.

His earliest hit numbers were ‘Sona Kare Jhilmil Jhilmil’ (film Paheli), and ‘Seene Me Jalan’ (Gaman), which reportedly caught late legendary singer Lata Mangeshkar’s attention and she recommended him to other top music composers of the day.

On coming a long way in his journey, Wadkar said, “I feel blessed on getting opportunities to work with big makers in the industry. There’s no bigger achievement than people’s love. Luckily, I have been able to achieve that through my work. It’s every artist’s dream to receive this award. I started singing at the age of 4 and till now have sung 30,000 to 40,000 songs.”

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Chandrashekar emphasized, “The temple is a testament to India’s craftsmanship and cultural philosophy, standing as an architectural marvel for a millennium and garnering admiration from people worldwide.”

The film pays homage to this ancient Brihadeeswara temple situated southern state of India, Tamil Nadu. By intense research and under the guidance of the scholars this research shed light on the temple’s historical significance and vital connection between the physical and metaphysical.

Using the state-of-art technology and high quality production, the film production is aimed at preserving the essence and energy of the live performance, creating a genuinely engaging and unforgettable experience.

“All ancient texts from our region have messages that are very relevant in today’s world. My mission is take on topics and present them to diverse audience across the world,” she said.

The roots of Bharatanatyam, a traditional Indian dance form, can be traced back to around the 2nd century CE. The ancient Tamil epic, Silappatikaram, provides descriptions of early forms of this dance. Additionally, sculptures in temples from the 6th to 9th century CE indicate that dance had evolved into a sophisticated performance art by the middle of the 1st millennium CE.

The Brihadeeswara Temple at Thanjavur in the southern state of India which was built by Chola King, Rajaraja I of the Chola dynasty. The temple has beautiful and large mural paintings dating back to 13th century. Interestingly, there are carvings of 81 out of 108 dance poses, known as karanas, used in Bharatnatyam.

(With inputs from PTI)

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